A selection of titles we’ve worked on as editors, designers, or supporting traditional publication.
"Engaging and easy to implement suggestions and changes. I'm very pleased with the results."
Benjamin Kane Ethridge, author of Black & Orange
"Jane Ryder and the staff at The Editorial Department are first-rate. In my dealings with them I’ve found them to be prompt, professional, and extremely good at what they do. The work is innovative and creative. The company is well run too. Every time I called, someone actually answered the phone and either provided assistance or put me through to someone who could."
C.B. Anderson, author of River Talk
"I think most of Peter Gelfan's input was spot on and will greatly assist me in improving the manuscript. It will, I now realize, be more of a deconstruct/reconstruct effort than a polish, but based on Peter's insights I think I have a good handle on how to proceed. Money well spent. "
R.E. (Bob) McDermott, author of Deadly Straits and other titles
"Renni Browne is tough but in a good way. She's also supportive, complimentary, encouraging, and funny as heck. When she tells you something is falling flat, she means it, and when she tells you she loves something, she means it. And when I say Renni has been a wonderful editor, mentor, support-system, cheerleader, coach, and now someone I call a friend, and I mean it."
Chevy Stevens, best-selling Author of Still Missing, Never Knowing, Always Watching, That Night, and Those Girls
"It was such a pleasure working with Chris Fisher. Not only is he completely professional, but he has the kindness and patience of a saint. As a first time author, his guidance and knowledge were invaluable in publishing Angel. His thoroughness and attention to detail were evident in the final product. I was so pleased."
Mary Kingsley, author of Angel and All The Pieces
"Although the whole team did a great job, Beth Jusino was a key member for the project as an editor and developer of the marketing strategy. Her comments on the manuscript were clear, concise, and candid. She kept me honest and helped me to reach out to the reader in a more accessible manner. Her ability to understand my vision is impressive, as if it were a personal project of her own.”
G.C Gonzalez, author of Thoughts of A Common American
"I've partnered with The Editorial Department on my last three novels because I know my books are far better as a result. We writers aren't the best judge of our own work, so it's incredibly helpful to receive their professional feedback and support."
Laura Fitzgerald, bestselling author of Veil of Roses, Dreaming in English, and other titles
"Several years ago Ross Browne critiqued my manuscript, Poison Pen (a mystery introducing handwriting expert, Claudia Rose), which was the first really helpful input I'd had. Ross' comments helped me understand and implement important changes that needed to be made throughout the book. Bottom line, last month Poison Pen received a starred review in Publishers Weekly. As a result, Penguin has purchased the first two books in the series from Capital Crime Press, the small publisher who took it on."
Sheila Lowe, author of Poison Pen and other titles in the Forensic Handwriting Mystery series
"Just because you've written a great book doesn't mean you have the skills to sell it. Even if you have a great publisher, putting a book in the hands of the right readers is a unique and time-consuming process. It requires knowledge, experience and insight that most writers don't have. Beth Jusino knows what an author needs to do in order to reach an audience.
She understands the inner workings of a changing, shifting industry, the importance of using different mediums to promote a book, and the need to develop comprehensive plans and specific strategies to succeed as an author. Following Beth's advice, my Stonewiser fantasy series garnered thousands of new readers. That's the kind of concrete, effective, result-oriented support than an author needs to succeed these days. It's also the reason why I highly recommend Beth's services."
Dora Machado, author of the Stonewiser series and other titles
"I’m grateful, too, to have had the help of publishing professionals associated with The Editorial Department, among them Doug Wagner, Amanda Bauch, Beth Jusino, and the ever-masterful Morgana Gallaway. I wish to thank my friend Kelly Leslie for designing a series of visually striking book covers."
Holland Kane, author of Winter Reeds and other titles
"I am completely blown away by the feedback from Renni Browne and Shannon Roberts - and feel more encouraged than ever that this is the type of novel writing I want to transition my career into. That kind of clear and concise feedback is absolutely invaluable, and I can see now why so many published authors continue to work with TED after succeeding."
Mags Storey, author of Dead Girls Don’t and other titles
"Jane Ryder is an excellent handshake at the door. Got the immediate impression that she is the major domo with a very warm personality. Karinya Funsett-Topping has been prompt and thorough with trustworthy professional guidance. Doug Wagner I trust completely with the details. Peter Gelfan was very helpful as a focusing lens to guide me in reevaluating the manuscript. I was in the hands of very competent professionals who did not BS me on the work but sincerely gave guidance and encouragement, not just to string me along for another payment. I felt this team looked after me and my work, rather than just doing another business deal."
Stephen Foehr, author of Water War and other titles
"John Marlow and I have worked on a development outline of my manuscript for three months. To have 20 hours, one-on-one with John on the phone has been absolutely invaluable to me; the best investment I've ever made. I trust him completely and feel that he has my best interests at heart. I can't say enough of how much I've learned from him. Thanks John. Thanks TED!"
Ulla Hakanson, author of The Price of Silence